Will Taylor Swift REALLY Ruin Triple J’s Hottest 100?


I’m Australian, which means that every Australia Day I spend my day tuned into the Triple J Hottest 100 – a countdown that ranks the best 100 songs of the previous year. There is usually fierce competition for any spot in the top 10, let alone the coveted #1 spot that has previously been won by Gotye (Somebody That I Used To Know ft Kimbra), Macklemore & Ryan Lewis (Thrift Shop), and, most recently, Vance Joy (Riptide).

2014’s countdown is tipped to be won by either Chet Faker with Talk Is Cheap or Peking Duk with High – unless Taylor Swift takes it out with Shake It Off.

Taylor was not played on Triple J all year, due to the fact it is a station that plays predominantly Australian, underground music, which excluded her from the list of eligible songs to vote for in the Hottest 100. Someone at Buzzfeed was made very angry by this, and fronted the campaign for TSwift fans to vote for Shake It Off using the “add a song” feature usually reserved for Triple J Unearthed artists. Naturally, this made hipsters very angry because Taylor Swift making the countdown would taint what is regarded as the best day of the year for Australian music.

I’m a Taylor Swift fan, don’t get me wrong. Do I think Shake It Off is a great song? Not really, but it’s definitely catchy. Should it be in the Hottest 100? No, not really.

Triple J’s own rules prevent artists from making the countdown if there has been an incentive to vote for them – undoubtedly the massive hype and trending Twitter hashtag is publicity enough, yet KFC published the hashtag #Tay4Hottest100 alongside a promotion for a discount card. There is no doubt that all the hype around what has been dubbed the biggest Aussie hipster scandal ever has gained Taylor enough votes to take out the number 1 spot, without a doubt.

Triple J have refused to comment on the matter, leaving listeners in the dark to whether or not TSwift will be included in tomorrow’s countdown (a genius marketing move if you ask me). If they leave her in, she’ll take the number 1 spot and leave most of Australia fuming. If they deem that she has received too much incentive to vote for her and disqualify her, they’ve gained a lot of listeners while still leaving Australia happy that their countdown is still as great as ever.

Typically, though, we won’t know anything until the top 5 songs get played tomorrow night after 7pm. My prediction? She’s out, and the clever Triple J producers will begin to play Shake It Off as 2014’s #1 song before quickly transitioning to Chet Faker or Peking Duk, revealing which song was REALLY the best of 2014.

If Shake It Off makes it into the countdown, though, you bet I’m gonna be dancing.

Sarah May xx
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My Top 5 Albums of 2014

My Top Five Albums of 2014

5. Sam Smith – In The Lonely Hour

I’m going to be honest – I really only had four stand-out top albums of the year, but Sam Smith’s album was one I thoroughly enjoyed. His voice is just amazing with a huge vocal range that can go from deep, soulful moments straight to a high pitched chorus (as is seen in Disclosure’s Latch). His mega-hit Stay With Me is so emotionally moving, and the rest of the album follows the same vibe. Sam Smith has been pinned as the male Adele, and despite some songs sounding like Smith was pressured too much by his label, In The Lonely Hour is a beautiful album that deserves a listen.

4. One Direction – Four

One Direction really reinvented themselves with this brilliant album. I’ve never been a huge fan of their boy-band sound, but the songs on Four are much more than that. They’ve shown their growth as a group and, in my opinion, have successfully transitioned from clichè boy band to an established pop group. It’s okay to not be a thirteen year old girl and like One Direction, because it’s no coincidence their singles and albums sell as high as they do – they have real talent, and Four showcases all of that. From the slowness of Night Changes to the more rock-like sound of Where Do Broken Hearts Go, Four covers a variety of styles all while showcasing the gorgeous voices of all five members of the group. Four is One Direction’s fourth album and their success is just as great as their first, so it’s fair to say that this “boy band fad” is sticking around for a while.

3. Pentatonix – PTX vol. III

Acapella group Pentatonix have had a fantastic year, achieving their first platinum album with their Christmas release That’s Christmas To Me, and scoring a Grammy nomination for their arrangement of their Daft Punk medley. However, my top pick of theirs for 2014 wasn’t either of these – instead it was their September EP. PTX vol III contains three covers – Problem by Ariana Grande and Iggy Azalea, Rather Be by Clean Bandit, and Papaoutai by French artist Stromae. Pentatonix also featured a mashup of La La La by Naughty Boy and Latch by Disclosure, both featuring Sam Smith, called La La Latch. All of these covers were absolutely amazing, playing to the strengths of the four man, one woman acapella group and a standout favourite was definitely their cover of Problem, however their Papaoutai cover is to be commended due to their near perfect pronunciations of the French lyrics of the original song. Their three original songs, On My Way Home, See Through and Standing By were equally amazing and diverse, branching a variety of genres. On My Way Home had a world music feel with a booming chorus, whereas See Through had more of an EDM feel to it. Standing By was penned by the group itself and is an emotional, solemn song that is bound to draw tears from anyone familiar with living away from their family. 2015 is Pentatonix’s year, so hop on the bandwagon now!

2. Ball Park Music – Puddinghead

Ball Park Music never fail to deliver an eclectic, upbeat mixture of quirky lyrics and catchy hooks, and their third album, Puddinghead, is no different. Puddinghead is an album that can make anyone happy, with a playful indie pop sound that incorporates the wit and blatant truth that Ball Park Music are known for. Puddinghead’s first single, Trippin’ The Light Fantastic, was a perfect way to transition Ball Park fans into their slightly newer sound, which was only backed up by rock-like tracks She Only Loves Me When I’m There and Everything is Shit Except My Friendship With You. The album remains optimistic with cheery tracks Polly Screw My Head Back On and Next Life Already. I have loved this album dearly since its release in April and I will continue to love it for a long time – I cannot recommend this album any higher to fans of indie pop or those who are just wanting a breath of fresh air in their iTunes library!

1. Taylor Swift – 1989

There’s a reason why Taylor Swift’s first pop album was the highest selling album of the year – it’s spot on and filled with potential singles. Lead single Shake It Off was a shock to anyone familiar with Taylor’s country style, as it launched straight into upbeat, catchy and somewhat cheesy pop. Her follow up single, Blank Space, is easily my favourite pop song of the year with such an infectious, cool tune and lyrics that poke fun of the media that shame her for “dating too many men”. I’m not joking when I say I love each and every one of the songs on this album, including the slower, ballad-like Wildest Dreams and This Love. These are songs you can belt out in your car, especially Welcome To New York, All You Had To Do Was Stay and Bad Blood. Taylor Swift’s fifth album is by far my favourite yet, and it has solidified her place in the pop music scene, successfully completing her transition away from being known as a country artist.

I hope everyone had a fantastic New Years, and welcome to 2015! What were your favourite albums of 2014?
Sarah May xxx
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Top 10 Australian Artists

Top 10 Australian Artists

Australia has a thriving music industry, and recent years have uncovered huge chart toppers such as Sia and Iggy Azalea. However, there are some Aussie music gems that have remained hidden in our little country, despite their immense talent. Our homegrown Australian artists are invaluably supported by national radio station Triple J, who provide precious air-time to both established and underground national and international artists, spanning a wide variety of genres. Thanks to Triple J, many fantastic Australian artists have had an opportunity to let their music be heard.

It is through the airwaves of Triple J that I have had the opportunity to discover these amazing, all-Australian artists. You may not have heard of them, but you definitely should have by now:

1. Ball Park Music

Genre: Indie Rock/Pop
Ball Park Music are a young and energetic band from Brisbane, who have produced hit after hit throughout their three-album career. Their live shows are praised by everyone who attends, including myself! Their music is quirky, infectious and super catchy – you’d be crazy not to check them out!

Other favourites: She Only Loves Me When I’m There, iFly, Sad Rude Future Dude, Surrender, Fence Sitter

2. San Cisco

Genre: Indie Pop
San Cisco have been quiet in the music scene for the last couple of years, until this year when they released their new single RUN. With only one album under their belt and another on the way, San Cisco are still pretty established in the Australian music industry, with their single Awkward placing number 7 in the 2011 Triple J Hottest 100, following up with further Hottest 100 entries every year following.

Other favourites: RUN, Fred Astaire, Wild Things, Get Lucky (Daft Punk Cover)

3. Hilltop Hoods

Genre: Hip Hop
Hilltop Hoods are easily Australia’s most popular hip hop group, with four albums peaking at number one on the ARIA charts, including two top-ten singles and one top five single. Hilltop Hoods have successfully broken through from purely Triple J airplay to being played on mainstream radio stations with the ongoing success of recent single Cosby Sweater.

Other favourites: I Love It (ft. Sia), Nosebleed Section, I Won’t Let You Down, Chase That Feeling

4. Chet Faker

Genre: Electronica
Chet Faker is taking over the Australian music industry in 2014, with his debut album Built on Glass peaking at number 1 on Australian charts and its three subsequent singles peaking in the top ten of the Australian indie charts. He cleaned up at the 2014 ARIAS, winning five of the nine awards he was nominated for, including Best Independent Release and Best Male Artist. Chet Faker is one to watch!

Other favourites: 1998, Gold, Drop The Game (with Flume), No Diggity

5. Sheppard

Genre: Indie Pop
Sheppard are a relatively new group consisting of siblings Amy, George and Emma Sheppard, and their three other band mates. Sheppard managed to break into mainstream radio play early in their career, with their single Let Me Down Easy. Their debut album, Bombs Away, peaked at number two, spawning 4x platinum single Geronimo. They recently won Best Group at the 2014 ARIA awards, on top of a truckload of nominations.

Other favourites: Let Me Down Easy, Smile, Hold My Tongue, Something’s Missing

6. The Jungle Giants

Genre: Indie Pop/Rock
The Jungle Giants are from Brisbane who released their debut album in 2013. They have supported big acts like Two Door Cinema Club and appeared at festivals including Splendour in the Grass, Big Day Out, and Groovin’ The Moo. Their music is super infectious and is well worth a listen!

Other favourites: Skin to BoneCome and Be Alone With Me, Mr Polite, Domesticated Man

7. Art Vs Science

Genre: Electronic/Dance
Art vs Science are known as one of Australia’s best live acts, who have a slightly crazy and very energetic stage presence. Their 2011 debut album was widely praised and won an ARIA award for Best Independent Release, and their newest EP has released some great music too. Their eclectic style of music is easily recognizable as an Art vs Science track nearly instantly!

Other favourites: Create/Destroy, Magic Fountain, Creature of the Night, A.I.M Fire!

8. Megan Washington

Genre: Indie Pop/Alternative
Megan Washington (also known as Washington) is one of the most incredible female artists Australia has to offer. Over her three-album career, her music is honest and transparent – and her live performances solidify that. Megan Washington began her music career performing jazz music, but her transition to a more Indie Pop/Alternative sound is complete.

Other favourites: Sunday Best, Rich Kids, Limitless, Begin Again

9. Vance Joy

Genre: Indie Folk
Vance Joy is perhaps one of the most popular indie artists in Australia right now. Ever since the release of single Riptide, which was voted the best song of the year in the Triple J Hottest 100 poll, Vance Joy has been adored by girls nationwide and has been greeted with great success with his debut album Dream Your Life Away. Vance is only new to the music scene, but is sure to stick around for a while.

Other favourites: Mess Is Mine, First Time

10. Flume

Genre: Electronic
Flume has had a huge influence on the Australian music scene, with his 2012 debut album peaking at number one and landing him four wins and another four nominations at the 2013 ARIA awards, including Best Male Artist and Best Breakthrough Artist. He also had four songs in the Triple J Hottest 100 in a single year, and is part of the side project What So Not.

Other favourites: Hyperparadise (Hermitude Remix), Tennis Court (Lorde Remix), On Top, Sleepless

I hope you enjoyed some of the great talent that Australia has to offer! Sometimes the best music isn’t what’s playing on mainstream media all the time, so be adventurous and discover some new music!

Until next time,
Sarah May xxx
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Live Review: Ball Park Music @ The Venue, Townsville

Ball Park Music are an Indie Pop band from Brisbane, Australia, who have achieved great things in the Australian music industry since their debut four years ago. The band, consisting of five members – Sam Cromack (lead vocals & guitar), Jen Boyce (vocals & bass), Dean Hanson (guitar & backing vocals), Daniel Hanson (drums & backing vocals) and Paul Furness (keys & trombone) – have three hit albums under their belts, with multiple songs making the Triple J Hottest 100 list of the respective year they were released.

Ball Park Music

In April 2014, Ball Park Music released their third album, Puddinghead. The Puddinghead tour saw them playing major cities, before launching the Trippin’ The Light Fantastic Tour which sees them return to these cities with the welcome addition of some regional towns – including my current residence of Townsville, Queensland. The Trippin’ tour brings Ball Park Music to their very first headline show in Townsville, which met to great success as they played to a close-to-sold-out crowd of over 18 fans at The Venue on September 19, 2014.Tarryn & I

I first saw Ball Park Music at the River Sessions Festival (Mackay) in 2013, and have been in love with them ever since. I just couldn’t pass up seeing them again at their own headline show after the amazing performance they put on last time! The Trippin’ tour was billed to be Ball Park’s biggest tour yet, featuring a light show equally as amazing as previous tours and visual effects so realistic, it’s almost as if the band is actually there! These light-hearted marketing gimmicks were followed up with free 3D glasses being handed out at the door.

The show opened with Pluto Jonze and Millions, who would’ve been much more enjoyable if I had known their songs. After three and a half hours of waiting after the doors had opened, Ball Park Music finally hit the stage, opening with Shithaus and quickly following that up with a long list of hits, mostly from their debut album Happiness and Surrounding Suburbs. Prior to the show, I had seen the setlist of the only previous show of the tour, and was surprised when they added in a couple of extra songs to Townsville’s show as opposed to their Hobart show. I was standing in the third row, directly in front of Sam and Jen, and I loved it!

I found that the band lacked the excitable energy they had back in 2013, with the exception of when Sad Rude Future Dude was played, which had Sam dancing at the front of the stage. Their newer songs required both guitars and Jen’s bass, which meant that Sam was not able to move around as freely due to needing to play the guitar. Most members also seemed a bit drunk, and Sam was drinking directly from a wine bottle the entire show! The intervals between songs were enjoyable, which saw them making fun of their marketing the tour as a “3D experience” – “because all f*cking concerts are in 3D”, as Sam eloquently put it.

This was my first 18+ show, and it was an interesting experience. I certainly wasn’t as squished into the front of the crowd as I do at festivals, as everyone liked their own space, but midway through the show two tall, burly guys who were obviously drunk became very pushy towards myself and the girls around me, pushing me into other people as they stumbled around the crowd despite attempts to push them away made by everyone around them. Eventually they were forced out of the mosh, allowing us all to feel a little bit safer.

Their setlist was impressive, packing nearly all of their hits into two and a half hours, including some of their newer songs. Admittedly, I don’t enjoy Ball Park’s slower songs as much as their more upbeat ones, and this setlist offered a few of those. They remixed their massive hit iFly into a slow, ballad-like version – which was an impressive remix, but slightly disappointing as I adore the original version’s energy.

Setlist (to the best of my memory):
Polly Screw My Head Back On
Literally Baby
It’s Nice To Be Alive
Sad Rude Future Dude
Teenager Pie
Coming Down
Everything is Sh*t Except My Friendship With You
iFly (Remix)
All I Want Is You
Girls From High School
Cocaine Lion
She Only Loves Me When I’m There
Trippin’ The Light Fantastic
Fence Sitter (Encore)

As we entered the venue, we were handed a VIP Pass to meet the band afterwards (score!) but, as this was offered freely to everyone who walked in, we expected the “afterparty” that was advertised to be packed. Thankfully, it wasn’t so – as a lot of the younger crowd who had made their way up gave up on waiting for the band after the 10-15 minute mark. After a bit of waiting, however, Ball Park Music entered the room, and at this point there were probably only 30 or so people. Naturally, groups of people snapped them up for conversations as soon as they entered, leaving those of us who just wanted a quick photo in fear of interrupting. I managed to catch Jen as she moved from one conversation to another, and caught Sam just as he walked in the door later on! As much as I would’ve loved to meet the other boys, it was late by this point and I had a long drive ahead of me back home, so we left just satisfied that our favourite band were just standing in a small room in such a casual environment with us.

Ball Park Music are absolutely incredible live, and continue to be such an underrated band. They certainly deserve more recognition for what they do, and they have the potential to have a massive fanbase both nationally and internationally. I’m certainly glad they were willing to play in a smaller city, despite the show not selling out as their others have, and at the same time I’m glad that the crowd was small enough to feel like an intimate show. I can only hope that they return to Townsville or Mackay for a festival or another headline show sometime in the future, as I will definitely be willing to see them again!

I took a few quick videos of the concert, check it out below:

I highly encourage all of you to see a Ball Park Music show in your lifetime!

Sarah May xxx
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Groovin’ the Moo Townsville, 2014

Groovin’ The Moo is a long-running rural festival presented by the appropriately named Cattleyard Promotions and supported by Triple J. It is currently the only touring regional festival in Australia and is held in the towns of Oakbank, SA; Maitland, NSW; Canberra, ACT; Bendigo, VIC; Townsville, QLD; and Bunbury, WA.

I have wanted to attend GTM ever since 2011, but the necessity to travel to attend made this impossible until this year, since I now live in Townsville during the university semester. This year’s festival took place on May 4, 2014 (Star Wars day!) and included headlining acts Disclosure, The Presets, Dizzee Rascal, Peking Duk, Thundamentals, The Naked And Famous and many, many more amazing acts. Prior to attending GTM, my only festival experience was with River Sessions Mackay (I reviewed 2014’s River Sessions festival here), so I was amazed at the quality of the lineup and the sheer size of the festival itself.

Flower Crown: Cosmetics Plus, $8. Pinafore: Target, $29.99. T-Shirt: Jay Jays, $2.50. Shoes: Big W, $9.95. Necklace: Goldmark Jewellers, Price Unknown

My GTM experience was mixed – I thoroughly enjoyed the artists that were playing and the atmosphere of the event, however I was lacking the company of my boyfriend, who usually accompanies me to festivals. Since we live hundreds of kilometres apart, he would have had to travel and take time off university to attend 😦 I would still rank this festival the best that I have ever attended, despite this!

11:50 – 12:00 pm: Tommy Franklin

Tommy Franklin was an odd addition to the GTM lineup, known for his crazy, eccentric dance moves and making it to the grand final on Australia’s Got Talent 2013 (although I think his audition dance was by far the best). We attended his set with some hesitation but a lot of curiosity. He opened his set with a slow, inspirational song and encouraged the crowd to loosen up and start dancing, which we did hesitantly. We then had to leave to catch The Jungle Giants’ set, but I’m sure that the energy would have lifted significantly as he danced in his carefree, unique manner. This wasn’t the last we’d see of Tommy, though, as he made constant guest appearances throughout other artists’ sets!

12:00 – 12:45 pm: The Jungle Giants

As it was still early in the day, we were not in much of a mood to enter the mosh pit, so we stood at the back. A decent crowd had gathered for this Brisbane band, and they had such a happy, upbeat sound that matched the mood of everyone there. I thoroughly enjoy The Jungle Giants, and I regard them in my top five favourite artists, although my friend Hayden, who attended with me, did not know as many of their songs as I did. I still thoroughly enjoyed their set – they always have the ability to make me very happy, even though I was not dancing to their set like most of the crowd was. I’m so glad I had the opportunity to see these guys live!

1:00 – 1:50 1:10 pm: Allday

To be completely honest, we were only at Allday’s set because we had time to kill and his stage was in the shade with space to sit. Inevitably, though, as I discussed in my River Sessions 2014 review, Allday’s fans are crazy and it all became too much. We left after his second song (Claude Monet, also his second song at River Sessions), although at this stage I would have liked to see more of him, which is why I saw him again at River Sessions.

1:30 – 2:15 pm: Robert DeLong

Without a doubt the best performance of the entire festival. I went into this set only knowing one song – Global Concepts. His set began and I was outstanded at how young and energetic he looked, proudly sporting blue Aztec-style face paint on his left cheek. He had such a large variety of equipment set up, including multiple keyboards, a full drum kit and other drums and cymbals across the stage. His set was upbeat and his lyrics were well-thought out – they were much deeper and more complex than conventional artists’ lyrics. He opened up his set by actually layering his vocals and instrumentals to create the full sound! I have never seen an electronic artist, live or on YouTube, create the music right in front of the audience’s eyes. Robert certainly did not just “press a button and dance” as most electronic artists seem to do – he used a wide variety of obscure methods to create his infectious sound, including a Wii remote, a MIDI fighter and a gaming controller resembling an Xbox controller. By far the best video that I can find that showcases how Robert performs is this one:

Robert’s set remained the only one to get me jumping and dancing along despite knowing only one song. He performed every song flawlessly, and he put obvious effort and energy into putting on a show! Of course, he closed with Global Concepts (yay!) but the biggest surprise came when Tommy Franklin joined him on stage to dance to the song’s catchy dance hook, dressed in a fluoro pink polka dot onesie. Go see a Robert DeLong show. You will not regret it!

I had the pleasure of meeting Robert at his signing during Vance Joy’s set. He was such a charismatic, cheerful man – I just wish I could talk to him for longer since security were rushing everyone along!

3:00 – 3:45 pm: Vance Joy

As previously mentioned, I was meeting Robert DeLong during Vance’s set. Luckily, the signing tent was right near the stage, which allowed me to at least listen to his set even though it was difficult to see him. I personally find Vance’s music a bit repetitive – yes, Riptide was a huge hit, but his other songs all sound the same. Nevertheless, though, he pulled a huge crowd of adoring fangirls and this later showed at his signing, where a huge crowd of girls were lined up just to meet him. Robert’s signing finished just before Riptide, which had the whole crowd singing and swaying along to the chilled-out tune, before the entire crowd left to reveal a prime barrier position for the next act on that stage – Architecture in Helsinki – which we claimed.

3:45 – 4:35 pm: Cults

While I was waiting at the barrier, Cults’ set was playing on the big screen from the next stage over. I wasn’t paying much attention as the video quality was low but they had a nice vibe and the lead vocalist has a voice with such an amazing tone!

4:35 – 5:25 pm: Architecture in Helsinki

These guys are the happiest, brightest, funky band ever. Not only did they look like they’d raided The Wiggles’ closet with their bright colours, they had such a great energy! I’m so glad that I was on the barrier for this show, as the keyboardist we were positioned in front of was constantly dancing – probably the most out of the entire band! I did video most of their set, but my camera doesn’t pick up any sound at such a high volume level 😦 They played all of their big hits plus songs from their most recent album, dedicating songs to hilarious things – for example, Escapee was opened with: “This song is for the people that take acid on Castle Hill (a huge hill in the middle of the city), because I feel like that’s something that people would do.” Once again, dancing man Tommy Franklin joined the band on stage during their set, dancing with band members and adding to the overall happiness of the set. These guys were my second favourite act of the day, despite the sun in my eyes the entire time!

5:25 – 6:00 pm: The Kite String Tangle

I’d never heard of this guy before and didn’t know what to expect, but his songs are pretty cool and gave the giant tent his stage was situated in a great atmosphere. I was standing pretty far away and the lighting from my angle wasn’t the best, but I still enjoyed it. I was getting a bit tired by this stage, so I was half tuned out to this set and can’t remember the details, but I didn’t mind watching TKST one bit!

6:15 – 7:05 pm: The Naked and Famous

This was the one band I needed to see at GTM, although they clashed with signing times for The Presets 😦 I was once again able to watch them from the signing line, however I would have given anything to be in their massive audience in the mood of their chilled, surreal music! They involved the crowd in a massive chant of “like rolling waves” for their song “In Rolling Waves”, which sounded absolutely beautiful even from the distance I was at! The Naked and Famous have so many great, popular songs, my biggest GTM regret was choosing meeting The Presets over catching their full set.

7:05 – 7:45 pm: Wave Racer

By this time I was so tired. The audience was filled with hot, sweaty people – yuck. This act was more a time filler, one that I only attended because of friends who wanted to see them. Safe to say that although the tent offered warmth (an unusual cold snap coincidentally began that night), the sweat and craziness was not worth it.

7:55 – 9:00 pm: Dizzee Rascal

Once again, very tired. We were sitting eating dinner on the grass during Dizzee’s set, waiting for The Presets, so we didn’t join the mosh. Granted, it was freezing! Dizzee is not my style, at all, but I enjoyed the songs I did know (which were few). The entire crowd seemed to love it, though – I’ll give him that!

9:00 – 10:15 pm: The Presets

Finally, the act we’d been waiting to see since the sun went down! As I mentioned previously, I met The Presets during The Naked and Famous’ set 😀 They were nice enough guys, could’ve been nicer but it seemed like they’d had dramas getting to the venue on time so that’s to be expected!

Unfortunately, due to timetabling, Disclosure stole what would’ve been most of The Presets’ crowd so it was way too small! Nevertheless, we squeezed into the fourth row. By this time, I was 3/4 deaf and this set solidified that. Their stage setup was ah-mazing – illuminated hexagons surrounded the DJ sets of both boys, including an impressive hexagon tower that lit up with the music behind them. They had such a good energy, getting the crowd pumped up despite the cold but still calm enough so people like me who hate physical contact with strangers could still enjoy the set – the crowd did not cram themselves in but rather stood at a comfortable distance from everyone else, allowing for a pleasant set. Their set lacked personality, as they would essentially move from song to song, but each song was performed so well that I didn’t mind it. By the time the set ended, the crowd had dwindled to what I’d guess would be less than 50 people – a disappointing number for such a big act.

10:15 – 10:45 10:30 pm: Disclosure

After The Presets finished, we decided to see what all the fuss was about with Disclosure, seeing as they stole The Presets’ crowd. The small portion we saw was good, with catchy songs and an impressive light show! The crowd was huge and they were visibly pumped up for the show, but for us it was cold and we’d had a long day, so we missed the end of the set so as not to get stuck in a huge line for the bus back to uni, which was inevitable once Disclosure finished.


Groovin’ the Moo is certainly one of the best festivals I have ever attended – the venue was great and the absolutely massive crowd size was astounding! The weather was perfect for this festival, with the exception of an unusual cold snap which left everyone freezing once the sun went down. Timetabling for this event was excellent and I commend the stage setup on the main stage, where two stages stood side-by-side with one artist on stage A while the next set up on stage B etc. It really reduced waiting time between acts and made it much easier to claim a barrier spot! The lineup itself was great and included such a great mix of genres and degree of popularity, with the addition of some international acts on top of that.

Go like Groovin’ the Moo on Facebook and keep up to date with 2015’s festival, which is sure to be even bigger and better!
Sarah May xx